How to Soundproof a Room for Recording Studio - Recording Studio in St Louis

It’s funny how you never realize how noisy the world actually is…


Until you build your own recording studio. :)


All those noises that you never really noticed before surprisingly become painful when heard through a quality equipment system a recording studio usually have.


Which is why, the question arises: How do I soundproof my room? So on today’s post, I am going to answer that question. But first, let’s discuss what soundproofing does do and doesn’t do.





What Soundproofing DOES do


At the point when a room is impeccably soundproofed:


  • Outside noises stay outside, and don't upset your meetings.

  • Inside noises stay inside, and don't upset your neighbors.


However, until you've kept in a room that ISN'T soundproofed, you likely don't understand how much noise really exists. For instance:


  • Common outside noises include: individuals, traffic, climate, and plumbing.

  • Common equipment noises include: PC fans, equipment racks, and air conditioning systems.

  • Common impact noises include: strides and whatever else connecting with the floor.


What Soundproofing doesn't do


Generally, amateurs mistakenly get some information about soundproofing, when what they truly mean is acoustic treatment.


So just to explain:


  • Soundproofing makes your room calmer, by blocking outside noise, while…

  • Acoustic treatment improves your room's overall appeal on a recording, by absorbing excessive ambience.


Also, preferably, any recording studio ought to utilize a blend of both.


And these can possibly destroy your music recording. In any case, first how about we tackle the outside noises, utilizing…


The 4 Methods of Soundproofing


The method involved with soundproofing a room is achieved utilizing a mix of 4 strategies:


  1. Adding Mass

  2. Damping

  3. Decoupling

  4. Filling Air Gaps


This is the secret:


1. Adding Mass/Density


The true purpose of adding mass is to keep sound from entering and leaving a room…


The dividers of that room require heaps of mass… which keeps them from vibrating in response to sound energy.


While building a room without any preparation, sufficient mass can be added to the wall just by building it thick, with a thick material like concrete.


However, to add mass to a current room, extra structures should be build utilizing materials like mass stacked vinyl, otherwise known as Sheetblock - (cost/surveys), which is a standard answer for both expert and DIY projects.


To gauge how viable materials are at soundproofing, a measurement known as Sound Transmission Class (STC) can be used. Hard materials like substantial will have higher Stc's, while soften materials, for example, protection will have lower ones.


Here is a general guideline of what the numbers mean:


  • 20-30 is poor

  • 30-40 is normal

  • 40-50 is great


The other measurement utilized is Sound Transmission Loss (STL), which some say is better since it measures isolation in dB at specific frequency bands…


While STC involves only one number for the whole recurrence range, which can frequently be deluding in terms of actual performance.


Up next…


2. Damping


Like adding mass, damping is a strategy for soundproofing that scatters kinetic energy from sound waves by switching it to hit.


Kalinga Production Studios provides as far one of the best soundproofing solution for music recording. Visit their studio and check how it works.


You can without much of a stretch make a make-shift sound wall for your studio that can be added to any region of the room, including the floor, roof, walls, or even the door.


Up next…


3. Decoupling


Whenever two structures in your room are in direct contact with one another…


Sound vibrations from one can move/transfer to the next, creating the original problem even worse.


Decoupling is the most common way of hindering that exchange of sound by disengaging the contact focuses, usually with some kind of thick, flexible rubber.


Other normal instances of decoupling include:


  • Building a floating floor - utilizing rubber isolators.

  • Assembling double walls - which leaves an air hole to assist with blocking sound, and can be made more compelling by adding protection in the open space.

  • Isolating layers - utilizing strong channels and versatile sound clasps to make a "drifting" wall.

  • Isolating studs from the floors/walls/roof - by applying tape to the studs.

  • Utilizing a mix of these strategies, any kind of resonance that creates in the room can be contained to its unique source, rather than amplified by the surrounding surfaces.

Up next…


4. Filling Air Gaps


The last step of soundproofing is to ensure every one of the little holes and air gaps in the room are sealed up air-tight.


Since even you have fulfilled the first 3 steps, any open spaces actually offer a simple section for sound to slip through.


The 3 most common tools used to stop up those openings are:


  • Acoustical Caulk - which can be utilized to seal up any cracks in the surface of the room, or any small holes that might exist somewhere else. This kind of caulk stays soft and pliable, so no holes open up after some time.

  • Froth Gaskets - which seal up air holes from your power plugs, window, doors, and so on.

  • Programmed Door Bottoms - which block the open space between the lower part of the door and the floor.

And, that is an essential steps of how to soundproofing for a music studio is done.


Finally, you may wonder…


Is Soundproofing REALLY Necessary?


Yes of course! To get your expected music recording, you must have a soundproof recording studio.


As may be obvious, soundproofing a room is a huge task which needs money, time, and skill set that most of us just don't have.


Which is the reason you have to choose a affordable recording studio in St Louis over a DIY home studio.


Since while outside noises can be irritating at times, they're usually occasional, so you can in any case track down those calm hours during the day to work in peace, even with no soundproofing at all.

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